Creative Writing Classes

I teach generative classes that help writers tap into the liberating power of constraints, the complexities of aliveness, and creative practices that nurture and inspire the artistic self.

My upcoming generative classes and workshops (all live and online) include:

  • Writing the Necropastoral: Generative Experiments in Occult Ecopoetics | 6 sessions, Thursdays, July 10 to August 14, Online via Morbid Anatomy, 4 to 6 p.m. Pacific / 7 to 9 p.m. Eastern
    In this generative writing class, poet Joyelle McSweeney’s vivid, pulsing notion of the Necropastoral will guide our artmaking into spectral nextness and uncanny entanglement—an ectoplasmic examination of ecology, mortality, poetics, and landscape. Each session will explore biological principles such as mutation, proliferation, contamination, and decay as creative forces for experimental and unexpected new writing.

    We’ll explore works by Don Mee Choi, Kim Hyesoon, Jane Wong, CAConrad, and Maya Jewell Zeller, whose hybrid and haunted poetry, prose, and translation expose the modern-day roots of the Necropastoral’s tentacles. We’ll consume heady draughts of inspiration in each session, then brew our own literary pharmakons.

  • Following the Brush: Experimenting with Zuihitsu | 6 sessions, July 15 to Aug 19, Online via Hugo House, 5 to 7 p.m. Pacific — Early bird registration opensMay 20
    What if you didn’t need to write a “poem” or an “essay” at all? What if you could follow your thoughts—wherever they wanted to go—and build something beautiful from the fragments? Zuihitsu is a thousand-year-old Japanese form that blends list, memory, reflection, and observation into a single, shapeshifting mode of writing. It doesn’t worry about tidy arcs or polished conclusions. It moves the way the mind moves: nonlinear, associative, surprising.  

    In this exploratory, generative class, we’ll use zuihitsu as a form of creative permission. You’ll read both classical and contemporary examples (like The Pillow Book and work by Kimiko Hahn, EJ Koh, Elias Canetti), and write pieces that bend genre and let intuition lead. You’ll experiment with prompts that embrace contradiction, loosen structure, and make room for the unsayable. In this class, every fragment—short, long, scattered, strange—counts. 

  • Summer Generative Writing Circle | Theme: TBA | Online, hosted by me
    Writing circles are intimate generative sessions designed to spark new writing and conviviality. Theme and dates to be announced. Contact me to be added to the invitation list.

  • On Ghosts, Ghosting & Haunts | 6 sessions, Thursdays, Sept 18 to Oct 23, Online via Morbid Anatomy, 4 to 6 p.m. Pacific / 7 to 9 p.m. Eastern
    What is a ghost if not spirit energy yearning for form and expression? In our time together, we’ll create new writing in response to a mix of prompts and constraints that help us peer beyond the veil. Each week, we’ll explore a range of structures capable of hosting ghosts, from epistolary to erasure, concrete shapes, the haunted dialogues of contrapuntals, and the glorious twisting and (re)turning form of obsession: the sestina. What’s following us? What can we not bear to let go of? What can we finally put to rest? Let’s find out.

  • Finishing School: Individual Writing in Community | Online
    Sometimes, to get writing done, we need camaraderie—and an appointment on the calendar. Finishing School is a space to work on individual projects in community. Think of it as study buddies, a virtual cafe, an accountability date… There’s no preparation, no homework, and no pressure to produce anything. Just show up, say a warm hello, and get crackin’ on whatever you wish. Finishing School is my gratis offering to the community of writers who join my writing circles each year.


The duty of the writer… is to remind us that we will die. And that we aren’t dead yet.
—Solmaz Sharif

We die. That may be the meaning of life.
But we do language. That may be the measure of our lives.
—Toni Morrison